5-Piece Drum Mic Package
Model: DP5A
The DP5a, which is identical to the DP7 except for the condenser mics, is a perfect compliment of microphones for a 5 piece kit. All mics perform equally well whether it be on a live stage or in the studio.
Included in the DP5a drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, and the i5 for snare.
Also included are four D-Vice rim mount clips for every mic except the D6 kick drum mic, which comes with a heavy duty tension fit mic clip. Everything is conveniently packaged in a foam-lined aluminum carrying case road case for safe keeping when the mics are not in use.
THE MICS:
D6 for kick drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.
i5 for snare
The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be used for a wide variety of applications and for all genres of music.
2 D2s for toms
For bringing out the real, dynamic sound of your drum toms and congas, nothing beats the D2! The D2 accurately reproduces the warmth and punch you listen for from percussion, leaving out the muddy, indistinct "boom" that can mar recording. The D2's natural warmth also makes it a great mic for saxophones and other woodwinds requiring a true, sensitive, yet big, reproduction.
D4 for floor tom
Make sure your sound's low-end has that propulsive kick! The D4 really puts that extra "oomph" in your kick drum, bass amp, and other low instruments thanks to its flat, linear response. Since this kit comes with the D6, Audix's premier kick drum mic, a good application for the D4 with this kit would be the floor tom. MORE»
| List | $915.00 |
50" Carbon Fiber Boom Sys
Model: MB5055
The MicroBoom™ is made from a carbon fiber rod that can be utilized with any of the condenser microphones in the Micros series. Lightweight and able to attach to any microphone stand, the MicroBoom™, is a problem solver for many hard-to-reach miking applications including choir, plays, and orchestra.
The MicroBoom™ can used with a choice of capsules in the Micros series, offering a broad choice of pick-up pattern and frequency response. High quality shielded cable is used internally to insure the cleanest audio signal path between the microphone and the bottom of the boom, which terminates in a mini-XLR male connector. The stand adapter designed for the MicroBoom™ allows for total control over the angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The final angle and position of the microphone is controlled by using the flexible metal gooseneck just below the microphone. The MicroBoom™ provides an ultraclean, professional, and elegant appearance on stage while providing exceptional performance and portability.
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| List | $652.00 |
ADX Series Flute Microphone
Model: ADX10FLP
The ADX10 is a miniaturized condenser microphone designed for lavalier applications such as speech, presentation and theatrical production. Known for for its clarity, resistance to feedback and ease of operation, the ADX10 has the ability to accurately capture and reproduce vocals from a comfortable distance of 4-8 inches.
The ADX10 is characterized with a uniformly controlled cardioid polar pattern, helping to isolate the area or section being miked from other vocals or instruments on stage. With a smooth and accurate frequency range of 50 Hz - 18 kHz, the ADX10 is lightweight, low profile and will provide natural sound with exceptional transient response.
The ADX10-FLP, specifically for use with a flute, includes a clip that attaches to the headstock of a flute, an 8’ cable terminating to an mini XLR-f connector and a phantom power adapter (APS-910).
Manufactured to high standards and tight tolerances, the ADX10 features a modular threaded capsule, a machined brass body with matte black finish, high quality shielded microphone cable and a variety of optional accessories.
Type: Pre-polarized Condenser
Polar Pattern: Cardioid
Frequency Response: 50Hz - 18kHz
Impedance: 800 Ohms
Sensitivity: @1k 4.5 mV/Pa MORE»
| List | $245.00 |
ADX Series Instrument Condense
Model: ADX51
The ADX51 is a professional pre-polarized condenser microphone used for stage, studio and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.
Characterized with a uniformly controlled cardioid polar pattern, the ADX51 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a wide frequency range of 40 Hz - 18 kHz, the ADX51 is equipped with an optional -10 dB pad and bass roll-off filter for added contour and control at the sound source.
The ADX51 is very easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision machined brass body, black e-coat finish, laser etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
Type: Pre-polarized Condenser
Polar Pattern: Cardioid
Frequency Response: 40Hz - 18kHz
Impedance: 100 Ohms
Sensitivity: 17 mV/Pa @1kHz MORE»
| List | $260.00 |
Dynamic Drum and Instrument Mi
Model: D4
Designed, machined, assembled and tested by Audix in the USA, the D4 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D4, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D4 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, sax and baritone sax, trombone, acoustic bass, bass cabs and small kick drums.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 40Hz - 18kHz
Impedance: 200 Ohms
Sensitivity: 1.4 mV/Pa @1kHz MORE»
| List | $223.00 |
Dynamic Instrument Mic with Mi
Model: D2
Designed, machined, assembled and tested by Audix in the USA, the D2 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D2 is lightweight, compact and easy to position. With a wide frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 80Hz - 18kHz
Impedance: 250 Ohms
Sensitivity: 1.2 mV/Pa @1kHz MORE»
| List | $162.00 |
Dynamic Kick Drum Microphone
Model: D6
Provides huge kick drum sound with ground shaking low end while delivering exceptional clarity and attack.
Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications. The D6, which is characterized with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ (Very Low Mass) diaphragm for natural, accurate sound reproduction.
The D6 is lightweight, compact and easy to position. With a wide frequency response of 30 Hz - 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets.
Roadworthy construction includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft® XLR connector and includes a tension-fit heavy duty nylon mic clip.
Transformerless design, low impedance, and balanced output allow for interference-free performance even with long cable runs.
Type: Dynamic
Polar Pattern: Cardioid
Frequency Response: 30Hz - 15kHz
Impedance: 200 Ohms
Sensitivity: .8 mV/Pa @1kHz MORE»
| List | $260.00 |
Fusion Series 5-Piece Drum Pac
Model: FP5
The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability.
All mics come with high impact mic stand adapters high and a heavy duty foam lined aluminum carrying case for safe keeping when the products are not in use.
THE MICS:
The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz – 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ.
The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB.
The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon.
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| List | $376.00 |
Fusion Series 7-Piece Drum Pac
Model: FP7
The Fusion Series microphones, which are designed, assembled and tested by Audix in the USA, fulfill all the performance criteria required for professional stage and studio applications. These prepackaged sets of microphones offer convenience, quality, durability, and affordability.
All mics come with high impact mic stand adapters high and a heavy duty foam lined aluminum carrying case for safe keeping when the products are not in use.
THE MICS:
The f5 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f5 is sturdy, compact and easy to position. With a wide frequency response of 55 Hz – 15 kHz, the f5 provides clear, accurate, natural sound reproduction without having to rely on EQ.
The f2 is characterized with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f2 is lightweight, compact and easy to position. With a wide frequency response of 52 Hz - 15 kHz and the ability to handle sound pressure levels of 139 dB.
The f6, which is characterized with a hypercardioid pickup pattern for isolation and feedback control, is equipped with a LM™ Type A (Low Mass) diaphragm for natural, accurate sound reproduction.
The f6 is lightweight, compact and easy to position. With a wide frequency response of 40 Hz - 16 kHz and the ability to handle sound pressure levels of 140 dB, the f6 is an excellent choice for miking kick drum and instruments requiring extended low frequency reproduction such as large toms and bass cabinets, leslie bottom, cajon.
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| List | $565.00 |
Fusion Series All-Purpose Cond
Model: F9
The f9 is suited for instruments requiring detailed reproduction in mid-high and extended high end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity, allows close, overhead and distance miking.
With its low impedance and balanced output, the f9 has interference-free performance. This mic operates on phantom power of 12-48 V.
Type: Pre-polarized Condenser
Polar Pattern: Cardioid
Frequency Response: 40 Hz - 20 kHz
Impedance: 200 Ohms
Sensitivity: 8 mV / Pascal @ 1 kHz MORE»
| List | $25.50 |
Fusion Series Clip-On Instrume
Model: F90
The F90 is a cost effective, miniature clip-on condenser microphone for drum and percussion applications. The F90 is intended for rehearsal bands, small clubs, schools and Houses of Worship.
The F90 has a uniformly controlled cardioid polar pattern and provides a rich, full sound at distances of 3”-4” off the drum head. The F90 is lightweight, compact and simple to use. The flexible gooseneck, paired with the 90-degree angle of the microphone head, allows the F90 to be positioned directly over the sound source.
The F90 operates on phantom voltage of 9-52 V and is supplied with a phantom power adapter, 6’ integrated mic cable and foam windscreen.
Type: Condenser
Polar Pattern: Cardioid
Frequency Response: 50Hz - 18kHz
Impedance: 250 Ohms
Sensitivity: 8.8 mV/Pa @1k MORE»
| List | $135.00 |
Fusion Series Dynamic Instrume
Model: F5
The Fusion Series microphones represent affordable excellence.
The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.
The f5's low impedance and balanced output allow interference-free performance.
Type: Dynamic
Polar Pattern: Hypercardioid
Frequency Response: 55 Hz - 15 kHz
Impedance: 580 Ohms
Sensitivity: 2.2 mV / Pa @ 1 kHz MORE»
| List | $57.50 |